1978 Synthetic Writers - Chapter 501 Familiar Name
1978 Synthetic Writers
Chapter 501 Familiar NameChapter 501 A familiar name.In mid-October, editor Wang Fu rode his bicycle to People's Literature and had a dinner at the Xinqiao Hotel.
"Lao Wang, why are you so late?" Cui Daoyi, who had been waiting for her for a long time, couldn't help but say as soon as they met.
"I'm sorry, something happened at home. I'm late, am I?"
"No, it hasn't started yet."
Cui Daoyi accompanied Wang Fu into the hotel. The hotel was already bustling with people. The editorial offices of "People's Literature" and "People's Digest" gathered here today, and it was very lively.
"Is Jiang Xian here?" Wang Fu asked.
Today's dinner can be said to be held for Jiang Xian. We welcome the new editor-in-chief to take charge of the work of People's Literature.
"Isn't that it?" Cui Daoyi pointed at Jiang Xian's figure in the crowd.
He is tall and stands out among the editors of average height. His face is enviably handsome and youthful, and the Zhongshan suit adds a bit of maturity to his youthfulness.
“Such a young editor-in-chief!”
Wang Fu couldn't help but sigh.
"Yes, I originally thought that Comrade Wang Meng was the youngest editor-in-chief of our People's Literature, but I didn't expect that this record would be broken so quickly." Cui Daoyi sighed.
When Wang Meng was in charge of "People's Literature", he was in his early fifties, which was definitely not considered very old. Guang Weiran, who was in charge of "People's Literature" before him, was already in his seventies.
Another reason why the Writers Association supported Liu Xinwu in hosting People's Literature was that Liu Xinwu was in his forties, much older than Jiang Xian. After all, many people do not think that being young is an advantage in doing a job.
But in the end, he chose the young and terrifying Jiang Xian.
"Who would have thought of that?"
Wang Fu sighed, "When Jiang Xian first came to our publishing house, he was still such a green writer. I remember that he submitted the manuscript for Furong Town. I was his editor, and we went to Contemporary Magazine's Liu Yin to get the manuscript together."
"After so many years, he is going to be the editor-in-chief of People's Literature. What a wonderful fate."
"hehe."
Cui Daoyi understood the feeling in Wang Fu's heart, as he had also thought the same way.
"Given Jiang Xian's brilliance in the literary world, it was only a matter of time before he reached this point."
"Ah."
Wang Fu nodded in approval.
There are only a few star writers in the literary world. Among Liu Xinwu, Jiang Zilong, Feng Jicai and other writers who have great influence today, Jiang Xian can be ranked number one.
Writers who have a huge influence on contemporary literature will sooner or later be able to take the position of editor-in-chief of "People's Literature".
Unless this person is the kind of person who is "pure in heart and has few desires" and whose mind is full of "escaping from the mundane world".
As they were talking, the banquet began. This was the first time that Jiang Xian appeared in public as the new editor-in-chief of People's Literature, so he couldn't help but make a few speeches.
At the cordial invitation of writers including editorial board members Ru Zhijuan, Xu Huaizhong, Chen Rong, Huang Zongying, and Jiang Zilon, Jiang Xian stood up with a helpless look on his face and smiled shyly at everyone.
"What can I say? I am no stranger to any of you."
“We are all old friends.”
"Don't forget, I came from People's Literature. I am one of our own."
Everyone smiled when they heard this.
This reminder made many people remember that Jiang Xian has always been the deputy editor-in-chief of People's Literature.
However, after taking office, he has been focusing on the work of People's Digest and his presence in People's Literature is relatively low.
But it is absolutely true to say that he came from People's Literature.
"I remember that after Comrade Wang Meng took charge of People's Literature, he wrote in the 'Editor's Note' of that issue of People's Literature that he wanted to 'be flexible and open up a wide range of literary avenues'.
This is how I understand it: ‘One style’ can be understood as a main theme, a thought tendency, an artistic style, a creative method. He hopes that this publication can be inclusive and have a broad scope.
Listening to Jiang Xian's story, many people present couldn't help but nod frequently.
Looking back at the magazine People's Literature today, Wang Meng has definitely left a distinct personal mark on the publication history of People's Literature.
Before he took over the publication, it was in a lifeless and decadent state.
When Wang Meng left, People's Literature had become a vibrant and truly first literary magazine in China, able to lead the literary trend in the country and occupy a leading position.
Although Wang Meng served as editor-in-chief of People's Literature for only less than three years, the achievements he made were unanimously recognized within People's Literature.
As Wang Meng's successor, Jiang Xian was not in a hurry to propose his own fresh ideas for publishing, or his own ideas of making drastic changes, or to break through the existing constraints and shackles and boldly explore and innovate.
Instead, they re-discussed his understanding of Wang Meng's philosophy of publishing, which was appreciated by many people present.
In addition, Jiang Xian did not make any impassioned speeches in his speech, but expressed sincerely that he was just a writer after all, and he had to rely on experts to edit the publication.
This low-key and sophisticated way of dealing with people has raised Jiang Xian's reputation to a higher level in many people's minds.
Therefore, after he finished speaking, the editors present gave him warm applause that lasted for dozens of seconds without hesitation.
"I have good news for you today."
When Jiang Xian sat down, deputy editor Cui Daoyi said with a smile, "Our 1986 'My Favorite Work' selection activity has ended."
“My favorite piece?”
Jiang Xian had some impression.
This was a selection activity organized by People's Literature during the period when Wang Meng was in charge, in order to improve the quality of publication and understand readers' interests.
By doing so, the editorial department can firstly understand readers' feedback in a timely manner, and secondly, it will also have a certain impact on the selection direction of the publication.
Cui Daoyi smiled and said, "Your new novel "Variations without a Theme" is amazing. It was only published in June, but it beat out a large number of novels published in the first half of the year and ranked first in the number of votes."
"Is it."
Jiang Xian smiled.
This is not the first time he has won first place in the "My Favorite Work" selection activity of People's Literature.
In last year's event, his novels "Variations without a Theme" and "The Heavenly Game" ranked first and second respectively in the number of votes.
At the same time, Jiang Xian's calmness after learning the news also caught the attention of many editors.
They didn't think Jiang Xian looked down on this selection.
On the contrary, I feel.That's how it should be!
This is how Jiang Xian should have reacted.
For other domestic writers, such an award organized by their "People's Literature" may be a great honor, and they will brag about it for a long time after receiving it.
But for Jiang Xian, this award is too insignificant. Who is that person?
He is a writer who won the first Mao Dun Literature Prize!There is also the first Lu Xun Literature Award.
He alone held two crowns at the same time.
As for the "National Excellent Novels" in the past, they were like cabbages at home to him, free of charge.
Many old editors remember this scene.
In previous years' "National Excellent Novel" award ceremony, other writers were extremely honored and felt as solemn as if they were making a pilgrimage into the palace of literature.
But as soon as he got to Jiang Xian, the picture changed. This guy acted like he was going to purchase goods and would not stop until he got several at the same time.
The selection committee was also discussing making a rule that a writer could only receive one award per year.
But in the end it was no.
Because I want to stimulate writers' enthusiasm for creation.
They are looking forward to the emergence of another writer who can win several awards in succession like Jiang Xian.
It's a pity that I've been stimulating for so many yearsJiang Xian is the only one who can accomplish this feat.
"Comrade Jiang Xian, I have a few letters written to you by readers about "Variations without a Theme". They are planned to be published at the end of the next issue of the journal." An editor handed over a few letters.
This is also a new initiative of Wang Meng, who publishes "Readers' Letters" in People's Literature from time to time to provide feedback from readers and form a virtuous interaction between editors and readers.
"How come the letters were all written to you?" Jiang Xian joked.
"I don't know about that. Maybe it's because when people mention Jiang Xian, they think he is related to our People's Literature. After all, it has published so many of your works," said deputy editor-in-chief Zhou Ming.
After all, readers only read novels, and they don’t know a lot about things in the literary world.
Take Xu Xing, the original author of "Variations without a Theme", for example. When he went to submit his manuscript for the first time, he didn't know where to go. He heard that there was an editorial office in Hubaoqiao, but he didn't know what publication it was, so he rode his bike there.
He found the door, and the old man guarding the door stopped him and asked what he was doing. He said he was submitting a manuscript. The old man asked him seriously what he was writing, a poem or a novel. Xu Xing replied that it was a novel. The old man then said, then you have come to the wrong place. This is Poetry Magazine. If you want to submit a novel, you should go to People's Literature on Dongshishitiao.
Therefore, although "Variations without a Theme" was not a novel published in "People's Literature", many people still sent their letters to Jiang Xian to "People's Literature".
"Let me see."
Jiang Xian opened them with interest. The first letter should be written by a college student, a young literary man.
This student is quite knowledgeable.
At the beginning, he stated that he believed that the collision between Eastern and Western cultures has become a global situation in today's world. This collision has evolved from the initial levels of social structure, production mode, and economic system to the subcultural and implicit cultural levels of society.
Then he vindicated Jiang Xian.
He felt that the sensational accusations and ridiculous misunderstandings that Jiang Xian's works had received made him realize that the renewal, transformation and rebirth of this subculture would be a long, difficult and painful process.
After vigorously refuting some accusations and misunderstandings on behalf of Jiang Xian, the student finally wrote:
"Jiang Xian, you are right. A writer's work should be a part of their life."
"The pain and joy that penetrated their bones, their entire life, is their most outstanding work."
"."
"Well written."
Jiang Xian glanced at the signature.
Department of Chinese Language and Literature, East China Normal University, Liu Yong.
"Liu Yong?"
Jiang Xian pondered for a while.
have to.
This is indeed an acquaintance.
In later generations, there is a book that Mo Yan regards as the contemporary "Dream of Red Mansions", and many people also think it is the Chinese version of "One Hundred Years of Solitude".
The name of this book is "Jiangnan".
In other words, "Jiangnan" is the name of this series, which is a trilogy of novels, with three works in total: "Human Face and Peach Blossoms", "Mountains and Rivers in Dreams" and "Spring Ends in Jiangnan".
The Liu Yong that Jiang Xian was looking at at the moment was the author of the Jiangnan Trilogy.
Ge Fei.
Jiang Xian originally thought it was a very accidental thing, but when he thought about it carefully, it was not that big of a surprise.
After all, this is a letter from a reader selected by People's Literature.
How could a reader who could write such a letterhead that is favored by People's Literature be an ordinary person?And this is Ge Fei.
I won’t talk about the Pioneer representatives.
Everyone who is familiar with Ge Fei knows it.
This writer particularly likes to play with the structure of his novels. His novels are constructed like a maze. Reading his novels can also give you a kind of intellectual pleasure.
It is no surprise that he would like the so-called "card novel" such as "Variations without a Theme".
In short, although this letter seemed to have fallen into Jiang Xian's hands by chance, it actually already had a lot of foundations.
After reading the first letter written by Ge Fei, Jiang Xian immediately felt the pleasure of opening a blind box.
Will there be any familiar names in the following letters?He glanced through it quickly.
"People's Literature" is really good at selecting. These letters come from young literary people, teachers, farmers, soldiers, police officers, and people from all walks of life.
What made Jiang Xian feel gratified was that these professionals were surprisingly tolerant of the novel "Variations without a Theme".
For example, the farmer said that his son ran to the city and had no work, and was unwilling to come back to farm. He never understood what his son was thinking before. Later, when he went to the city to sell grain a while ago and saw this "Variations without a Theme", it was like listening to his own child complaining in front of him.
There was also a police officer who read this novel while on duty. After reading it, he thought of several young people in his jurisdiction. In the past, when faced with their cynical attitudes, there was really no way to regulate them except using legal actions. After reading this novel, the police officer had more thoughts on the spiritual world of these young people.
The contents of these letters made Jiang Xian feel very satisfied.
It is something every author should be proud of that a novel can have such an impact on all sectors of society.
On the other hand, he kept opening blind boxes, searching for some names that made him feel a little familiar.
As I looked at it, my eyes were really attracted by a name.
So familiar!
The other party is an artist from Beijing Television Art Center(End of this chapter)